
A Guide to Folktales in Fragile Dialects ~Catherynne M. Valente
–published 2008
–Norilana Books
–163 pages
The cover of this book, an art piece done by Connie Toebe, has intrigued me since I first laid eyes on it on the Endicott Studio website. April being National Poetry Month, and the first month of this year’s Once Upon a Time Challenge, it seemed like the ideal time to explore the treasures that this wonderful image promised.
I certainly do not pretend to be anything other than a mere dabbler in the genre of poetry, and despite my fascination for old folklore and fairy tales I am no where near being familiar with much of what exists in that realm. Given those facts I have to admit that I found Valente’s book to be quite the challenge, albeit in the very best sense.
A Guide to Folktales in Fragile Dialects is a book of poems written by Catherynne M. Valente featuring a variety of female characters in stories as dark and mysterious as the original folktales to which they pay homage. In the vein of works like Angela Carter, Valente eschews the well worn stereotypes of female roles that dominate more recent, watered down versions of the stories handed down from long ago. Instead her characters, be they victims or victors, are strong, unconventional women whose stories seem both familiar and foreign at the same time.
The collection contains some poems that seem pretty straight forward and others that are quite enigmatic, depending on one’s knowledge of the folk stories of old. Regardless of the kind, each contains untold depths that just beg to be studied and talked about. I couldn’t help but wish there had been a companion volume to each piece so that I could delve into and research her inspirations as I read each work. Interspersed between various groupings of poems are brief “Tale Types” that describe various kinds of folktales and include an example of each. These were, without fail, engaging and educational and lent insight into the poems that followed.
In this Guide I found characters that were familiar, either in name or in circumstance, and others that danced around my head hinting at previous knowledge that I could not quite access. Valente’s gift is obvious as one moves through this collection. That fact makes it all the more difficult for me to find the words to accurately describe this slim treasure. Thankfully author and friend Midori Snyder does an excellent job of doing just that in her introduction:
“There is a gentle irony in the title, for there is nothing fragile about the rich, organic language of these poems, their images deeply rooted in the senses and in nature. Here Rapunzel grows into the wild rampion of her origin, a fox wife wears two skins, a housebound woman evolves slowly into a tree, and an abusive husband transforms into a taloned crow.”
This is not a book to be rushed through, instead it is a book to be savored. To be sampled slowly so that each poem has time to digest. I began this book over a month ago and took my time, reading one or two poems at a time every few days.
“I crawl to you on belly henna-bright,
teeth out,
scratching the basil sprouts—
eyes flash phosphor. In the late light,
slant gold light,
you must see
the old tail echo
beneath my muddy dress:
two, three, nine.I howl against the barking churchbells:
Give it back, give it back,
I need it.
Be it poetry or prose, I enjoy it most when the words strung together have a lyrical quality to them, and Valente’s verse is very musical.
“We chose her for her hair.
And for the thinness of her wrists
and the promise of her hips,
which seemed to foreshadow sons,
and for the way she played in the alley-ways,
the slip-jump
of her dancing gait on sap-strung terraces.We had to choose someone.”
While the collection has an overall sense of melancholy and heaviness to it, for few of the tales of old ended in ‘happily ever after’, there are some that end sweetly, giving a nice bit of balance to the book.
Poetry is not for everyone, that I will readily admit. But if you delight in the mystery of stories built on and around whisperings of tales that have passed down from generation to generation, then I would highly encourage you to give this collection a try. I freely admit that there are many more riches here than I in my inexperience was able to unearth, but the parts that were challenging did nothing but light a spark in me to learn more about the mythic so that the next time I come to this collection…and I strongly suspect there will be a ‘next time’, I will be better prepared to honor what Catherynne M. Valente has accomplished.
As I close this review, I will leave you with this small section from one of the Tale Types that I think all book lovers will enjoy:
“There is a story which the books in certain libraries tell one another when the librarian has turned out the lights and gone home to soup and kettle. This would have remained a secret but for a student who fell asleep in one of these libraries and was not glimpsed by the cleaning staff on their final rounds, and so awoke past midnight with pages in a stir all around her, whispering periodical to encyclopedia, index to glossary.”
Wonderful to imagine, isn’t it?
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This book is a selection for:
Hi Carl. I didn’t join your challenge this go around even though there was a huge part of me that wanted to. I didn’t want to feel too overwhelmed, ya’know? But man alive, I’ve been reading everyone’s reviews and have added bunches to my wishlist. (Including this one!) I’ll be joining next year, for sure!
Great Christina! Yes, the wonderful and agonizing side effect of all these challenges means that the list of books we all want gets massively bigger! đŸ™‚
This really does sound fantastic!! I don’t know if it’s just that I’ve read a lot of poetry lately because it’s National Poetry Month or what, but I’ve been craving it…definitely going to pick this one up. This is the one you recommended to me in my Transformations review, right?
Yes, Chris, I believe it was. I would bet that you would really enjoy this one.
That’s the difference between one person and another, between one artistic eye and another: you see a captivating image, I see an old dress and a dead fox. I would never have picked this book up based on it’s cover, and find the image at the edge of repulsive. Pictures of dead animals just aren’t to my liking. You may say it’s supposed to be a stole, but that’s still a dead fox, or that it’s an art piece conveying the fairy tale concept, which is still a dead fox to my eyes. I don’t think the art director at Norilana tried very hard, nor did the artist when it came to concept.
I can’t get past the awful cover to even think about the poems, and thus only skimmed your review. Bad me. Sorry. Way it is.
Richard, Richard, Richard….*sighs* đŸ™‚
I wouldn’t disagree with you about everyone having his/her own taste. Thank God that is the case as it makes for wonderful varieties of art to discover.
I would disagree that the art director and artist didn’t try hard. The image of the fox, especially when it comes to folk stories about people being part human/part animal, is very prevalent, as is the case with one of the stories in this collection, which was the inspiration for the cover art creation. I think the dress is gorgeous and is a perfect period piece for the time period many of these stories appear to be set in. The fox is of course just what it is meant to be, but the yin/yang placing which points to the story it is meant to represent, coupled with the glowing moon in the middle, is actually quite creative and symbolic.
* * * …agrees to disagree… * * *
Which is how it should be. I get the impression, though I could be wrong, that your strongest objection is to the use of the fur which I can respect. I’m not a fan of the whole fur coat/fur stole thing myself.
:: scribbles title on TBR list ::
Her work intrigues me somethin’ fierce.
I haven’t read any of Valente’s poetry yet, but it’s been on my list. Her use of language is intoxicating and she has a knack for dissecting folklore and reconstructing it “like legos”, to use her words. You might be interested in reading Palimpsest, which is one of those books I’ll be revisiting.
I found my way here from the 42 challenge, which I just joined a few minutes ago.
Mish: Palimpsest is one I’ve seen reviewed on other blogs and each time it has sounded interesting. Welcome, glad you found your way over here. đŸ™‚